By Lawrence Graver

Carson McCullers was once first released in 1969. Minnesota Archive variations makes use of electronic know-how to make long-unavailable books once more obtainable, and are released unaltered from the unique college of Minnesota Press variants.

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Staring at Lymon, her face wears the fascinating expression of "pain, perplexity, and uncertain joy" — the lonesome look of the lover. When she learns that Macy may return, she — in her pride — miscalculates Lymon's fickleness and her own power over his life; and after his affection is alienated, she becomes frightfully distracted, pursuing those contradictory courses that lead to her downfall. Because she has the capacity to change and the energy to pursue her awakened desire for companionship, Amelia turns from a harridan evoking awe to a woman worthy of compassion.

Both Clanes are haunted by the memory of the Judge's son and Jester's father, John, who committed suicide after the unsuccessful defense of a Negro accused of murdering the husband of a white woman with whom he had been intimate. For the Judge, the suicide represents a mysterious act of personal spite; for Jester, it is a puzzle he must solve in order to establish his own identity. An important clue to the puzzle is a blue-eyed Negro, Sherman Pew, a sullen poseur who insults white men but lives slavishly by the standards of bourgeois advertising.

Bibliographies Stewart, Stanley. "Carson McCullers, 1940-1956: A Selected Checklist," Bulletin of Bibliography, 22:182-85 (April 1959). 47 LAWRENCE GRAVER Phillips, Robert S. "Carson McCullers: 1956-1964: A Selected Checklist," Bulletin of Bibliography, 24:113-16 (September-December 1964). Critical Studies Baldanza, Frank. "Plato in Dixie," Georgia Review, 12:151-67 (1958). Eisinger, Chester E. Fiction of the Forties. Chicago: University of Chicago Press, 1963. Pp. 243-58. Emerson, Donald. "The Ambiguities of Clock without Hands," Wisconsin Studies in Contemporary Literature, 3:15-28 (Fall 1962).

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