By Walter Metz

The vintage scenario comedy Bewitched chronicled the typical lives of Samantha, a witch, and Darrin Stephens, her mortal husband, dramatizing the often-humorous issues brought on by their "mixed marriage." for far of its eight-year run, Bewitched loved powerful attractiveness due to its large attraction. A parade of magical characters, animals, lighting tricks, and gimmickry used to painting witchcraft ensured that the sequence appealed strongly to teenagers, whereas its family tensions, feminist undertones, and tricks at homosexual and lesbian culture grabbed the eye of grownup audience. Bewitched additionally participated in commercial strategies, just like the shift from black-and-white to paint tv creation, and located itself stuck within the political shift from Lyndon Johnson's nice Society to Richard Nixon's staunch conservatism. With all of those elements in brain, Walter Metz considers the sequence an enormous touchstone in Nineteen Sixties and Nineteen Seventies culture.

prior educational feedback on Bewitched simply considers a handful of episodes. This ebook considers the Bewitched sequence as an entire, demonstrating that the express can glance very various based upon which of its episodes are being tested. Metz attracts a number of interlocking subject matters from the sequence, together with the political id conflicts that come up from the Stephenses' marriage, the importance of background raised through characters popping out and in of the previous, the postwar surveillance tradition represented through the phobia of discovery of Samantha's mystery, and the show's self-reflexive stance towards tv itself. additionally, Metz situates Bewitched in tv heritage, reading the ways in which its creation thoughts, storylines, and characters either borrowed from the prior and contributed their very own options to the medium.

A cult favourite that keeps to air frequently greater than 40 years after it first premiered, Bewitched has claimed a favorite position in tv historical past. students of movie and tv experiences, in addition to fanatics of the exhibit, will take pleasure in Metz's cautious examine the show's allure and the intense concerns raised by means of this cherished and deceptively uncomplicated sitcom.

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Extra resources for Bewitched

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In the Bewitched story, Samantha and Tabitha are stripped of their powers by the Witches’ Council, a body that is once again irate that Samantha has dared to marry the mortal Darrin. In a show of solidarity, Sam’s cousin Serena and uncle Arthur voice their support, and promptly lose their powers as well. The two new mortals are forced to get jobs, and are able to find entry-level employment at an ice cream store. ” The two women famously end up at a candy factory where things go horribly wrong when they try to wrap candies coming ever faster off a conveyer belt.

Two episodes of ER, a quality television show elevated into event status by NBC’s “Must See TV” advertising strategy, are illuminating here. One features a direct depiction of racial discrimination against African Americans. In this episode (#17, “The Birthday Party,” 2/16/95) the African American Dr. Peter Benton (Eriq LaSalle) is required by his job to treat a wounded racist (known as such because he has the words “Die Nigger Die” tattooed on his arm). Another intriguing episode (#64, “Tribes,” 4/10/97) has white Dr.

I Love Lucy started out as a show about Lucy and Ricky, and only later involved their child, little Ricky, who was born on the show. Similarly, Sam and Darrin’s first child, Tabitha, was not born until the second season, and was not seen regularly until several years after that. Thus, unlike most family sitcoms that revolve around the lives of already established families—Father Knows Best (CBS, 1954–55 and Integrating Lucille Ball’s pregnancy into I Love Lucy’s text established a precedent and a pattern for having womencentered sitcoms use expectant motherhood to reinforce and expand the women-bonding aspects of their narratives.

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