By Lewis Foreman Day

This can be a generation Of the unique 1910 version.

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Straight off with L. F. D. the pen. 223. upon L. F. D. modern pen drawn letters — Rather fantastically treated German. 224. roman capitals— By Franz 225. , dating from the 7th Stuck. AMPERZANDS. to the 15th centuries. 226. amperzands — Free renderings of instances dating from the 16th century to the present day. letters , Note. — ET, of which it is may be & and the In the top row traced the connection between the accepted a contraction. Other examples of amperzands occur in illustrations 134, 136, 137, 138, 141, 142, 155, 167, 171, 176, 178, 189, 208,212, 218, 222.

FREE RENDERING OF LOMBARD MSS. ABOUT 1250. asserted themselves, and individual scribes clung tenaciously the to older forms. The alphabet opposite, for example, though of the 15th century, only mildly represents the period to which by date it belongs. Gothic in letters lend design than themselves. themselves to more variety not being so perfect in Roman, To some, perhaps, they are more Art in the Alphabet. interesting on that very account : 23 perfection palls Anyway, the Gothic forms are often very beautiful.

183. modern majuscule and minuscule, approaching hand. 184. to running R. K. Cowtan. modern majuscule and minuscule —R. K. Cowtan. xxv Descriptive List of Illustrations. 185. modern italic capitals — By Walter West. delicacy of Mr. West's beautiful Much penmanship of the unfor- is tunately lost in the process reproduction. 186. — By Selwyn Image. An penmanship, given as an example of a modern handwriting which may fairly be described modern minuscule alphabet example of his ordinary as caligraphy.

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